Delivering much information about the scale of what's coming, documentary also follows Gawdat's campaign to get the programs with empathy A nother day, another warning about AI; vis-a-vis the reality we all know, this has roughly the same reassuring effect as a plane fuselage ripping off mid-flight. Starting off with familiar criticisms, such as putting the world out of work and handing over power to tech barons, Alex Holmes and Lina Zilinskaite's film blasts an concentrated stream of AI concerns in its 83-minute runtime. By the time it is talking about current efforts to create computers out of human brain cells, potentially integrable into our own craniums, and implying this might be a good thing, it is (ironically) hard to know how to process all of this. The Cassandra at the film's centre is Mo Gawdat, former chief business officer at Google X, now a touring cautionary voice trying to get the world to listen about the perils of AI. Once overseeing advanced projects for the tech giants, his biggest moonshot lies ahead: to introduce a moral dimension into a tech race that looks increasingly like the frenzied season finale of late capitalism. He talks about feeling parental pride in watching Google's AI-driven robotic arms learn to grasp objects, as children do.

Across Mixtape's four-hour runtime, you'skateboard, mash tongues together during a kiss, TP a house, ride a dinosaur and learn to fly' Across Mixtape's four-hour runtime, you'skateboard, mash tongues together during a kiss, TP a house, ride a dinosaur and learn to fly' W hen Johnny Galvatron was 14, his cousin gave him a copy of the Smashing Pumpkins' seminal 1995 album, Mellon Collie and the Infinite Sadness. For Galvatron, a rambunctious teenager in Geelong who defined himself by his musical taste, it was love at first spin. "I don't think there's a track like Tonight, Tonight from any other band," he reminisces. A song from the album plays at a critical moment in Mixtape, the second game from Galvatron's Melbourne-based studio, Beethoven and Dinosaur. Mixtape is set over a single day; tomorrow, Stacy will be leaving her best friends, Slater and Cassandra, and flying to New York as part of a reckless plan to shove a mixtape into the hands of a superstar music supervisor who will, she believes, be so convinced of Stacy's genius that she'll offer her a job.

Detail from Holbein's sketch of an unidentified woman, which it is claimed may depict Anne Boleyn. Detail from Holbein's sketch of an unidentified woman, which it is claimed may depict Anne Boleyn. They are two small sketches by the Renaissance master Hans Holbein: one has long been considered to be a portrait of Henry VIII's doomed second wife, Anne Boleyn, and the other is of an unknown woman whose name was lost to time. Now researchers using AI have discovered that the unnamed woman might be the tragic queen after all, while the other figure could in fact be Boleyn's mother. The works, which belong to the royal collection and are known as the Windsor sketch and the Unidentified Woman respectively, were analysed by a team at the University of Bradford, who found that they might have been incorrectly inscribed in the 1700s, leading to a misunderstanding that has lasted centuries.

'She had big googly eyes and was wearing a red hat knitted by one of the careworkers' Emma the Social Robot by Paula Hornickel. 'She had big googly eyes and was wearing a red hat knitted by one of the careworkers' Emma the Social Robot by Paula Hornickel. 'The first resident that Emma - a social robot - was introduced to was called Peter. After that, Emma assumed they were all called Peter, which everyone found hilarious. O ne morning in July 2025, I arrived in the small, quiet town of Albershausen in south-west Germany.

Steven Soderbergh, who has voiced interest in using AI in his films. Steven Soderbergh, who has voiced interest in using AI in his films. Why are respected film-makers suddenly embracing AI? I n Steven Soderbergh's beguiling new movie The Christophers, a reclusive artist (Ian McKellen) tangles with the quiet art forger (Michaela Coel) who his greedy children have hired to secretly finish further entries in a well-known painting series. The movie is smart and provocative about the nature of artistry and authorship, exploring what it means to create - and to stop creating.

Intelligent, egoless the artist in Grayson Perry Has Seen the Future. Intelligent, egoless the artist in Grayson Perry Has Seen the Future. From people marrying digital companions to CEOs excited about how people whose jobs are replaced can'adapt', this is terrifying watching. T here is a fun game you can play while watching Grayson Perry Has Seen the Future, the two-part documentary presented by the artist on the subject of artificial intelligence, its uses and its possible ramifications. Gather a group of friends, press play, and see which of you loses your mind first.

Flourishing Resident Evil Requiem introduces FBI agent Grace Ashcroft. Flourishing Resident Evil Requiem introduces FBI agent Grace Ashcroft. Resident Evil at 30: how Capcom's horror opus has survived and thrived T o many of us playing and writing about video games in the 1990s, Resident Evil seemed to come out of nowhere. The emerging PlayStation and Saturn consoles were all about slick, bright arcade conversions - the shiny thrills of Daytona and Tekken - and Japanese publisher Capcom was in a rut of coin-op conversions and endless sequels to Street Fighter and Mega Man. Scary games were rare at the time and mostly confined to the PC. So when the news of a horror title named Biohazard (the Japanese name for the series) started to emerge in 1995, it caught the attention of games journalists as it seemed radically out of step with prevailing trends.

'As soon as we got Pong to work, people said: 'When are you going to do Doom?' a biological computer playing the 90s video game. 'As soon as we got Pong to work, people said: 'When are you going to do Doom?' a biological computer playing the 90s video game. A petri dish of human brain cells is currently playing Doom. Scientists in the US have uploaded a fruit fly to a computer simulation, while an Australian lab has taught neurons on a glass chip to play a 90s video game. How long before we are all living in a sci-fi movie? I t sounds like the opening of a sci-fi film, but US scientists recently uploaded a copy of the brain of a living fly into a simulation.

I t was March 2016, and at the Four Seasons Hotel in Seoul, the world was gathered to watch the culmination of a battle 2,500 years in the making. On one side was the South Korean Lee Se-dol, the second-highest ranking Go player in the world. On the other was AlphaGo - a computer program developed by London-based artificial intelligence research company DeepMind. "Chess is the greatest game mankind has invented," game designer Alex Randolph once said. "Go is the greatest game mankind has discovered."

I n rare quiet moments playing Marathon, you may find yourself overcome by the iridiscently pretty planet Tau Ceti IV. This fictional world seems to radiate a chemical glow: powdery pink skies and lurid green vegetation fill the screen alongside supermassive architecture emblazoned with ultra-stylish, neon graphic design. Yet enjoy the scenery for a split second too long and you might catch a bullet, causing your character to bleed an icky blue substance. In such moments, the camera locks - meaning you must stare down at their unceremonious expiry. Marathon's considerable beauty is matched only by its clinical brutality.